A01=Nichos Nunez
actor training techniques
alphabet
Apocalypsis Cum Figuris
Author_Nichos Nunez
Biosphere II
Black Hat
body
Body Alphabet
Category=AFKP
Category=ATD
Cawing Crows
Dalai Lama
dance
embodied practice
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Evangelist Theatre
Fine Day
Grotowski research
Holy Man
intercultural performance
Internal Chant
Mexican Mountains
Museum Of Anthropology
Nahuatlan Language
North West USA
participatory
participatory ritual performance design
Participatory Theatre
People's Stares
People’s Stares
performance studies
quintana
Quintana Roo
Religious Services
ritual theatre methods
roo
sacred
Sakya Pandita
shell
Shell Dance
snail
Snail Shell
Tashi Tsering
tibetan
Tibetan Institute
Tibetan Theatre
Young Man
Product details
- ISBN 9783718657117
- Weight: 310g
- Dimensions: 156 x 234mm
- Publication Date: 08 Sep 1997
- Publisher: Harwood-Academic Publishers
- Publication City/Country: CH
- Product Form: Paperback
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First published in 1997. ‘Anthropocosmic Theater is a name which covers a deep theatrical proposition which gives back to dramatic space its participatory capacity. The research, design and production of participatory theatre offers the spectator a cultural dynamic which, with five minutes of instruction, trains him and sustains him so that he can have his own experience because at this stage of evolution we cannot ignore the fact that the vitality and internal spell of any artist manifestation is no longer the heritage of any particular group or clan, but rests beneath the skin of any human being. The participatory dynamics contained in this book are the fruit of fifteen years wok at the UNAM's Taller de Investigacion Teatral’- Nicolas Nunez. This text traces Nunez's research with Grotowski and Strasberg, at the Old Vic in London and in Nahuatlan and Tibetan theatre, to arrive at his design for a unique participatory theatre form. A textbook for students of theatre in Mexico, this volume provides a practical guide to Nunez's ritual/theatrical 'actions' as well as supplying a philosophical context for a work which has resounding implication for theatre in contemporary life.
Nichos Nunez (Author) is the Founder and Director of the Taller de Investigacion Teatral (Theatre Rsearch Workshop). Ronan Fitzsimons (Translated by), and Deborah Middleton (Edited by) are both lecturers in the School of Music and Humanities at the University of Huddersfield.
