A01=Alexandra Reza
Age Group_Uncategorized
Age Group_Uncategorized
Author_Alexandra Reza
automatic-update
Category1=Non-Fiction
Category=DC
Category=DSBH
Category=HBJH
Category=NHH
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch
Product details
- ISBN 9780198896319
- Weight: 520g
- Dimensions: 145 x 220mm
- Publication Date: 22 Feb 2024
- Publisher: Oxford University Press
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Anticolonial Form: Literary Journals at the End of Empire addresses the relationship between culture and politics in two journals published in Europe by African writers: Présence Africaine, launched in Paris in 1947, and Mensagem, published between 1948 and 1964 in Lisbon. Grounded in extensive archival work, the book argues for a comparative and transnational approach to postcolonial literary studies, for the significance of the literary journal as a key form in the development of African writing in French, Portuguese, and English, and for a historically and geographically contingent understanding of the relationships between literature, culture, and politics.
This book takes up the idea of articulation to bring forward the contingent and fugitive connections that networks of literary journals fostered between francophone, anglophone, and lusophone writers in the conjuncture of decolonization in the 1950s and 1960s. It argues that comparison as a praxis and a method was central to the anticolonial charge of those journals, on whose pages we see an iterative back and forth between writing from and about different parts of the colonial world, a recursive effort to establish how ideas and analyses developed in one part of the colonial world could travel, and be adopted and adapted in others
Many scholars have argued convincingly that the institutionalized practice of comparison in the academic field of comparative literature is itself imbricated with histories of colonialism. Reza's argument takes on a particular significance in the context of that critique as the anticolonial comparison on which she focuses offers a different tradition of relational praxis from which to think about connection and comparison itself.
