Anticolonialism, Ontology, and Semiotics

Regular price €68.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Patrick D. Anderson
Aesthetics
Africana political theory
Anti-colonial theory
Anti-colonialism
Anticolonial social ontology
Anticolonial theory
Anticolonialism
Author_Patrick D. Anderson
Black male studies
Captain Marvel
Category=ATFA
Category=ATFN
Category=JBCC1
Category=JBCT
Category=JBSF
Category=JBSL
Category=JHB
Category=QD
cinematic anticolonial ontology method
cinematic epistemology
Class
critical race studies
Django Unchained
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film philosophy
film theory
Frantz Fanon philosophy
Gender
Get Out
Greimas semiotic square
Hairspray
Hollywood cinema
Hollywood film
intersectionality analysis
Masculinity
Postcolonial theory
Postcolonialism
Race
Semiotic analysis
Semiotics
Sexuality
The Amazing Spider-Man 2
The Hateful Eight

Product details

  • ISBN 9781041106647
  • Weight: 390g
  • Dimensions: 138 x 216mm
  • Publication Date: 02 Oct 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Anticolonialism, Ontology, and Semiotics places anticolonial theory, semiotic analysis, and contemporary Hollywood film into conversation.

Synthesizing Algirdas Greimas’ semiotic square with the theories of anticolonial philosophers like Frantz Fanon, Eldridge Cleaver, and Sylvia Wynter, Anderson reconstructs an anticolonial social ontology for use as a method of film analysis. Using this ontology to interpret a wide range of films, the book defies the assumptions and challenges the conclusions of postcolonial and intersectional approaches. Reaching beyond the application of anticolonial theory for the purpose of film criticism, the book uses theory to interpret film while using film to illustrate and interpret theory. Along the way, readers are challenged to reconsider class, race, gender, sexuality, violence, and liberation not only in the cinematic world but also in the worlds we all inhabit.

This concise yet broad-reaching work will interest scholars and students of film studies, film philosophy, anticolonialism and postcolonialism, race and gender studies.

Patrick D. Anderson is an Associate Professor of Philosophy in the Department of Humanities at Central State University. His research focuses on the anticolonial tradition of Africana political theory, with an emphasis on archival research and anticolonial theories of social ontology.

More from this author