Antihero in American Television

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A01=Margrethe Bruun Vaage
Alicia Florrick
Antihero Narrative
Antihero Series
Atm Machine
Author_Margrethe Bruun Vaage
Bad Fans
Blame Rape Victims
Breaking Bad
Category=JBCT2
Category=NH
Category=QDTN
Cognitive Film Theory
cognitive media theory
Dual Process Model
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist film theory
Fictional Reliefs
Grand Theft Auto
Hitchcock studies
Imaginative Slumming
Main Character
Male Antihero
media psyhcology
media studies
Moral Disengagement
Moral Disgust
Moral Inversion
moral psychology
Narrative Desires
Quality Tv
Regular Tv
Routledge Research
Spectator's Engagement
Spectator's Sympathy
Spectator’s Engagement
Spectator’s Sympathy
Suspense Sequences
Sympathetic Allegiance
television drama
television studies
Watch Tv News

Product details

  • ISBN 9781138885974
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Oct 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The antihero prevails in recent American drama television series. Characters such as mobster kingpin Tony Soprano (The Sopranos), meth cook and gangster-in-the-making Walter White (Breaking Bad) and serial killer Dexter Morgan (Dexter) are not morally good, so how do these television series make us engage in these morally bad main characters? And what does this tell us about our moral psychological make-up, and more specifically, about the moral psychology of fiction?

Vaage argues that the fictional status of these series deactivates rational, deliberate moral evaluation, making the spectator rely on moral emotions and intuitions that are relatively easy to manipulate with narrative strategies. Nevertheless, she also argues that these series regularly encourage reactivation of deliberate, moral evaluation. In so doing, these fictional series can teach us something about ourselves as moral beings—what our moral intuitions and emotions are, and how these might differ from deliberate, moral evaluation.

Margrethe Bruun Vaage is Lecturer in the Film Department at the University of Kent, UK

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