Antiquarianism and the Visual Histories of Louis XIV

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A01=Robert Wellington
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Ancient Coins
antiquarian methods in royal propaganda
Archives Nationales De France
Author_Robert Wellington
automatic-update
Cabinet Des
Cabinet Du Roi
Category1=Non-Fiction
Category=ACQ
Category=AGA
Category=JBCC2
Category=JFCD
COP=United Kingdom
courtly iconography
De La Chaize
De La Mothe Le Vayer
De Louis Le Grand
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early modern numismatics
Elements Tapestries
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
French art historiography
Gobelins Manufactory
Henri III
Histoire Du Roi
Jean Warin
King's Cabinet
King's Portrait
King’s Cabinet
King’s Portrait
La Chaize
Language_English
Louis Le Grand
Louis XIV
Louis XIV Medals
Louis XIV's Reign
Louis XIV’s Reign
material culture studies
Medals Cabinet
PA=Available
Pierre Rainssant
Premier Peintre
Price_€100 and above
PS=Active
reign
RMN Grand Palais
Royale Des Inscriptions
seventeenth-century France
softlaunch
visual evidence analysis
xivs
Young Man

Product details

  • ISBN 9781472460332
  • Weight: 764g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Aug 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Antiquarianism and the Visual Histories of Louis XIV: Artifacts for a Future Past provides a new interpretation of objects and images commissioned by Louis XIV (1638-1715) to document his reign for posterity. The Sun King's image-makers based their prediction of how future historians would interpret the material remains of their culture on contemporary antiquarian methods, creating new works of art as artifacts for a future time. The need for such items to function as historical evidence led to many pictorial developments, and medals played a central role in this. Coin-like in form but not currency, the medal was the consummate antiquarian object, made in imitation of ancient coins used to study the past. Yet medals are often elided from the narrative of the arts of ancient règime France, their neglect wholly disproportionate to the cultural status that they once held. This revisionary study uncovers a numismatic sensibility throughout the iconography of Louis XIV, and in the defining monuments of his age. It looks beyond the standard political reading of the works of art made to document Louis XIV's history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand siècle.

Robert Wellington is a lecturer at the Centre for Art History and Art Theory, Australian National University.

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