Antonio Gardano, Venetian Music Printer, 1538-1569
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A01=Mary Lewis
A01=Mary S. Lewis
accademia
Accademia Filarmonica
Angelo Gardano
Antonio Gardano
Author_Mary Lewis
Author_Mary S. Lewis
Cantus Durus
Cantus Mollis
Canzoni Villanesche
Category=AV
Cinque Voci
concordances
Della
Doni's Dialogo
Doni’s Dialogo
editions
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
filarmonica
Gardano's Edition
Gardano's Press
Gardano's Publication
gardanos
Gardano’s Edition
Gardano’s Press
Gardano’s Publication
Italian Renaissance culture
madrigal analysis
manuscript
Manuscript Concordances
music bibliography
music publishing history
Musica Nova
Note Nere
Note Nere Madrigals
Perissone Cambio
Pope Paul III
presses
Primo Libro
Printer's Mark
Printer’s Mark
publications
San Marco composers
Secunda Pars
sixteenth century printing
tonal
Tonal Type
type
Venetian Music Printer
Venetian print music catalog research
Willaert's Musica Nova
Willaert’s Musica Nova
Young Man
Product details
- ISBN 9780824084554
- Weight: 1210g
- Dimensions: 178 x 254mm
- Publication Date: 01 Oct 1997
- Publisher: Taylor & Francis Inc
- Publication City/Country: US
- Product Form: Hardback
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Antonio Gardano's publications are among the most important sources of 16th-century music. The second volume describes the output of this leading Italian music press in its cultural, bibliographical, and musical context. The first part of the book consists of an overview of Gardano's repertory from the fifties and the cultural and musical milieu in which he worked. It includes discussions of the continuing popularity of his earlier repertory, the music of the younger generation introduced in the fifties, the music of the composers around San Marco, and genres such as the multi-movement madrigal, the canzoni villanesche, instrumental works, and new anthologies. Also discussed are the dating of some undated editions, unconfirmed and doubtful prints, and ordering within the editions. A chapter on binder's copies describes groups of editions bound together by their early owners and serves as a valuable index to the tastes of the collectors. The catalog section covers all Gardano's known publications of the fifties, and provides full titles, bibliographical information, contents with concordant sources for each piece, and locations of individual copies with notes on their bindings, owners' marks, annotations, and other significant characteristics. The catalog is indexed by composer, first line, and short title, and includes a list of primary and secondary sources consulted.
