Anyone Can Do It: Empowerment, Tradition and the Punk Underground

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A01=Pete Dale
anarchist theory
Anarcho Punk Scene
Author_Pete Dale
Bikini Kill
Category=AB
Category=AVLP
cultural history analysis
Desolation Row
Direct Democracy
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Folk Scene
grrrl
grrrls
Harmonic Movement
Huggy Bear
Joe Strummer
Le Sacre Du Printemps
Mainstream Punk
math
Math Rockers
Melody Maker
micro-traditions research
Minor Pentatonic Scale
music sociology
penny
Penny Rimbaud
pistols
political resistance movements
punk empowerment ideology comparison
Punk Scene
Punk Tradition
Punk Underground
Red Monkey
rimbaud
riot
Riot Grrrl
Riot Grrrl Scene
Riot Grrrls
rock
Sarah Records
scene
sex
subcultural studies
UK Band
UK Scene
Young Man

Product details

  • ISBN 9781138279674
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In its political resistance, punk bears an ideological relationship to the folk movement, but punk's faith in novelty and spontaneous liberty distinguish it from folk: where punk's traditions, from the 1970s onwards, have tended to search for an anarchistic 'new-sense', folk singers have more often been socialist/Marxist traditionalists, especially during the 1950s and 60s. Detailed case studies show the continuities and differences between four micro-traditions of punk: anarcho-punk, cutie/'C86', riot grrrl and math rock, thus surveying UK and US punk-related scenes of the 1980s, 1990s and beyond.
Pete Dale is renowned in the punk underground for his involvement in the Slampt Underground Organisation and groups such as Pussycat Trash, Milky Wimpshake and Red Monkey. His recent PhD research at Newcastle University explored the politics of punk. He taught music in a Gateshead secondary school for many years. He is currently Popular Music Fellow at Oxford Brookes University, UK.

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