Aotearoa New Zealand in the Global Theatre Marketplace

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A01=James Wenley
Aotearoa New Zealand's theatre
Author_James Wenley
biculturalism in drama
Bruce Mason
Category=AFKP
Category=ATD
Category=JBCC1
Colonial Mimicry
Cosmopolitanism
cross-cultural reception
cultural identity
cultural mobility
Edinburgh Festival Fringe
Edinburgh Fringe
Edinburgh International Festival
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
global arts marketing
Global marketplace
global theatre
Ibsen's Text
Ibsen’s Text
Immersive Theatre
indigenous Maori
international theatre touring case studies
Kapa Haka
Ladies Night
MFAT
New Zealand theatre
New Zealand theatre 1940-1990
Night Moves
Pakeha
postcolonial theatre
Queen Elizabeth II Art Council
Red Mole
Rocky Horror
Skin Tight
Speaking Te Reo
Te Reo
Toroihi raua ko Kahira
transnational performance
Transnationalism
USA Tour
Wild Duck
Zealand Artists
Zealand Drama
Zealand Identity
Zealand Theatre
Zealand Work
Zealand's Involvement
Zealand’s Involvement
Zombie Apocalypse

Product details

  • ISBN 9780367553098
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Aotearoa New Zealand in the Global Theatre Marketplace offers a case study of how the theatre of Aotearoa has toured, represented and marketed itself on the global stage. How has New Zealand work attempted to stand out, differentiate itself, and get seen by audiences internationally?

This book examines the journeys of a dynamic range of culturally and theatrically innovative works created by Aotearoa New Zealand theatre makers that have toured and been performed across time, place and theatrical space: from Moana Oceania to the Edinburgh Festival Fringe, from a Māori Shakespeare adaptation to an immersive zombie theatre experience.

Drawing on postcolonialism, transnationalism, cosmopolitanism and globality to understand how Aotearoa New Zealand has imagined and conceived of itself through drama, the author investigates how these representations might be read and received by audiences around the world, variously reinforcing and complicating conceptions of New Zealand national identity. Developing concepts of theatrical mobility, portability and the market, this study engages with the whole theatrical enterprise as a play travels from concept and scripting through to funding, marketing, performance and the critical response by reviewers and commentators.

This book will be of global interest to academics, producers and theatre artists as a significant resource for the theory and practice of theatre touring and cross-cultural performance and reception.

James Wenley is a theatre academic, practitioner and critic with a passion for promoting the theatre of Aotearoa New Zealand. He was awarded a PhD from the University of Auckland and is curently a lecturer in theatre programme of Te Herenga Waka—Victoria University of Wellington. James directs and produces for his company Theatre of Love. He is the editor and founder of TheatreScenes.co.nz, was a theatre critic for Metro Magazine and won the People’s Choice Award for Best Critic at the 2015 Auckland Theatre Awards. His writing has been published in the Journal of New Zealand Literature, The Pantograph Punch and Playmarket Annual.

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