Apocalyptic Discourse in Contemporary Culture

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Apocalypse
apocalyptic discourse
Apocalyptic Fictions
Apocalyptic Narrative
Architectural Association
Ballard's High Rise
Ballard’s High Rise
Bio-genetic Revolution
biopolitics theory
Brian Aldiss
Category=DSBH
Concrete Island
contemporary culture
Contemporary Society
cultural anxieties
disaster narratives
Eduardo Paolozzi
end of the world
environmental crisis literature
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eschatological belief
eschatology
eschatology studies
Follow
globalised space
Gothic Sublime
history
language
language decay analysis
Main Character
Mainstream Science Fiction
modernity
Occupy Wall Street
political anxieties
post-millennium
postmodern apocalyptic criticism
Postwar
Pristine
Roger Luckhurst
Snowman
social anxieties
space
theory
time
Tolkien
trauma and globalization
Uploading
Vice Versa
Violated
Western culture
Wo
Zombie Apocalypse

Product details

  • ISBN 9780415712583
  • Weight: 640g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Jul 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This interdisciplinary collection of essays focuses on critical and theoretical responses to the apocalypse of the late twentieth- and early twenty-first-century cultural production. Examining the ways in which apocalyptic discourses have had an impact on how we read the world’s globalised space, the traumatic burden of history, and the mutual relationship between language and eschatological belief, fifteen original essays by a group of internationally established and emerging critics reflect on the apocalypse, its past tradition, pervasive present and future legacy.

The collection seeks to offer a new reading of the apocalypse, understood as a complex – and, frequently, paradoxical – paradigm of (contemporary) Western culture. The majority of published collections on the subject have been published prior to the year 2000 and, in their majority of cases, locate the apocalypse in the future and envision it as something imminent. This collection offers a post-millennial perspective that perceives "the end" as immanent and, simultaneously, rooted in the past tradition.

Monica Germanà is Senior Lecturer in English Literature and Creative Writing at the University of Westminster, UK.

Aris Mousoutzanis is a Lecturer in Film and Screen Studies at the University of Brighton, UK.