A01=Berthold Hoeckner
Adorno influence on musicology
Adorno's Aesthetics
Adorno's Critique
Adorno's Essay
Adorno's Understanding
adornos
Adorno’s Aesthetics
Adorno’s Critique
Adorno’s Essay
Adorno’s Understanding
aesthetics
Author_Berthold Hoeckner
avantgarde analysis
Beethoven's Late Quartets
Beethoven’s Late Quartets
Blue Note
Category=AV
century
Clear Channel
contemporary art music
critical theory
culture
Der Neuen Musik
Dialectical Stalemate
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Feldman's Music
Feldman’s Music
Frankfurt School
Genuine Liberal
Hot Jazz
industry
jazz criticism
Jazz Subject
music
music philosophy
Musica Humana
Musica Mundana
Musical Avant Garde
Musique Informelle
Nineteenth Century Subjectivity
pli
Postwar Music
Princeton Radio Research Project
radio
Radio Symphony
Rihm's Music
Rihm’s Music
symphony
twentieth
Webern's Op
Webern’s Op
West Germany
Wolfgang Rihm
Product details
- ISBN 9780815335719
- Weight: 476g
- Dimensions: 152 x 229mm
- Publication Date: 03 Nov 2005
- Publisher: Taylor & Francis Inc
- Publication City/Country: US
- Product Form: Hardback
Secure
checkout
Fast Shipping
Easy returns
Apparitions takes a new look at the critical legacy of one of the 20th century's most important and influential thinkers about music, Theodor W. Adorno. Bringing together an international group of scholars, the book offers new historical and critical insights into Adorno's theories of music and how these theories, in turn, have affected the study of contemporary art music, popular music, and jazz.
Berthold Hoeckner is Associate Professor of Music and the Humanities at the University of Chicago. He is the author of Programming the Absolute: Nineteenth-Century GermanMusic and the Hermeneutics of the Moment.
