Appreciating the Art of Television

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A01=Ted Nannicelli
aesthetics
agency
Appreciative Practices
Author_Ted Nannicelli
authorship
authorship theory
Breaking Bad
Category=ATJ
Category=JBCT
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Cinematic Authorship
Cognitive Pleasure
critical interpretation
DVD Extra
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eq_bestseller
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eq_nobargain
eq_non-fiction
eq_society-politics
Ethically Flawed
evaluation
Executive Intentions
Fictional Truth
film studies
Filmic Utterance
Higher Order Meanings
Hypothetical Intentionalism
Individuating Properties
interpretation
Interpretive Relativism
media ontology
media philosophy research
media studies
Ontological Constructivism
ontology
philosophical analysis of television art
philosophy of film
Pro Tanto
Routledge Research
Running Gags
Single Malt Scotch
television aesthetics
Television Artworks
Television Studies
Television Studies Scholars
Television Work
Temporal Prolongation
Ticking Time Bomb Scenario
Tv Text
Vehicular Media
visual storytelling analysis

Product details

  • ISBN 9781138840782
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Oct 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Contemporary television has been marked by such exceptional programming that it is now common to hear claims that TV has finally become an art. In Appreciating the Art of Television, Nannicelli contends that televisual art is not a recent development, but has in fact existed for a long time. Yet despite the flourishing of two relevant academic subfields—the philosophy of film and television aesthetics—there is little scholarship on television, in general, as an art form. This book aims to provide scholars active in television aesthetics with a critical overview of the relevant philosophical literature, while also giving philosophers of film a particular account of the art of television that will hopefully spur further interest and debate. It offers the first sustained theoretical examination of what is involved in appreciating television as an art and how this bears on the practical business of television scholars, critics, students, and fans—namely the comprehension, interpretation, and evaluation of specific televisual artworks.

Ted Nannicelli is Lecturer in Film and Television Studies at the University of Queensland, Australia. He is the author of A Philosophy of the Screenplay (Routledge, 2013). He is co-editor, with Paul Taberham, of Cognitive Media Theory (Routledge, 2014), and associate editor of Projections: The Journal for Movies and Mind.

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