Approaches to Monteverdi

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
1567-1643
1567-1643 Criticism and interpretation
A01=Jeffrey Kurtzman
Author_Jeffrey Kurtzman
Baroque musicology
Category=AVLA
Category=AVN
Claudio
Claudio 1567-1643
Composers Italy Biography
Compositeurs Italie Biographies
critical edition methodology
Criticism
early modern music theory
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
etc
Foucault philosophy in music
interpretation
Jungian interpretation
Monteverdi
Monteverdi sacred repertoire studies
sacred choral analysis

Product details

  • ISBN 9781409463337
  • Weight: 540g
  • Dimensions: 150 x 224mm
  • Publication Date: 13 Aug 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
This volume gathers together twelve essays on the composer’s music, reflecting the author's interests in aesthetic and psychological issues, the sacred works, methods of structural analysis, and the problems of making critical editions. The opera Orfeo and two madrigals from Monteverdi's Book Eight are the subject of aesthetic and psychological investigation, especially from the perspective of Michel Foucault's The Order of Things and the psychology of C.J. Jung, all supported by musical analysis. Two essays analyze in detail the structural principles of the psalms Laetatus sum from the 1610 Vespers and the first Dixit Dominus from the Sevla Morale e spirituale of 1641. Two others re-examine the story of Monteverdi's Mass of Thanksgiving and consider the question of what sacred music Monteverdi actually or likely wrote but is now lost. The final essay critiques and compares the methodology and problems of the Malipiero and Cremona editions of Monteverdi's Opera Omnia. All but one of these essays were originally published over a time span of twenty years in journals, conference reports, Festschriften, and as book chapters. The majority of them were not widely distributed or readily available until now. The essay on the Malipiero and Cremona editions appears here for the first time.
Jeffrey Kurtzman is Professor of Music at Washington University in St Louis, USA.

More from this author