Appropriating Antiquity for Modern Chinese Painting

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19th century
20th century
A01=Chia-Ling Yang
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antiquarianism
Author_Chia-Ling Yang
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Bao Shichen
calligraphy
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composite rubbing
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epigraphy
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ink painting
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Kang Youwei
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Modern Chinese art
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natural history
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Ruan Yuan
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Shanghai School
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Taiping Civil War
Zhao Zhiqian

Product details

  • ISBN 9781501358371
  • Weight: 840g
  • Dimensions: 154 x 234mm
  • Publication Date: 09 Feb 2023
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent the ethnic identity of modern Chinese art. In doing so, this book asks: did the antiquarian movements ultimately serve as a deliberate tool for re-writing Chinese art history in modern China?

In searching for the public meaning of inventive private collecting activity, Appropriating Antiquity in Modern Chinese Painting draws on various modes of artistic creation to address how the use of antiquities in early 20th-century Chinese art both produced and reinforced the imaginative links between ancient civilization and modern lives in the late Qing dynasty. Further exploring how these social and cultural transformations were related to the artistic exchanges happening at the time between China, Japan and the West, the book successfully analyses how modernity was translated and appropriated at the turn of the 20th century, throughout Asia and further afield.

Chia-Ling Yang is Professor of History of Art and Personal Chair of Chinese Art at The University of Edinburgh, UK. She received her PhD in Chinese Art from SOAS, University of London, UK. She has worked with the V&A and the British Museum on a range of exhibition projects.

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