Approximate Bodies

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A01=Maurizio Calbi
anatomical representation
Author_Maurizio Calbi
Beatrice's Body
Beatrice’s Body
body politics drama
Category=DSB
Category=DSG
Conjugal Couple
crooke
DE FLORES
Des Monstres
dollimore
early
early modern body construction in theatre
Early Modern Discourses
Early Modern Masculinity
Enlarged Clitoris
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Examination Scene
Female Sexual Pleasure
feminist literary analysis
gender identity theory
gynaecological
Gynaecological Discourses
helkiah
Hyperbolic Masculinity
Jacobean Tragedy
jealousy
John Donne
jonathan
male
Male Seed
Male Sexual Jealousy
Mans Seed
Mans Yard
Menstrual Blood
Middleton's Women Beware Women
Middleton’s Women Beware Women
psychoanalytic criticism
Renaissance medical history
Reproductive Fluids
Reward Scene
sexual
Sick Womans Private
treatises
Webster's Play
Webster’s Play
Wooing Scene
Worse Ha

Product details

  • ISBN 9780415345613
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Apr 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The early modern period was an age of anatomical exploration and revelation, with new discoveries capturing the imagination not only of scientists but also of playwrights and poets. Approximate Bodies examines, in fascinating detail, the changing representation of the body in early modern drama and in the period's anatomical and gynaecological treatises.

Maurizio Calbi focuses on the unstable representation of both masculinity and femininity in Renaissance texts such as The Duchess of Malfi, The Changeling and a variety of Shakespeare plays. Drawing on theorists including Foucault, Derrida and Lacan, these close textual readings examine the effects of social, psychic and cultural influences on early modern images of the body. Calbi identifies the ways in which political, social, racial and sexual power structures effect the construction of the body in dramatic and anatomical texts. Calbi's analysis displays how images such as the deformed body of the outsider, the effeminate body of the desiring male and the disfigured body parts of the desiring female indicate an unstable, incomplete conception of the body in the Renaissance.

Compelling and impeccably researched, this is a sophisticated account of the fantasies and anxieties that play a role in constructing the early modern body. Approximate Bodies makes a major contribution to the field of early modern studies and to debates around the body.

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