Arabesque without End

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19th century art
19th century music
Alfred Smart Museum
Alhambra Palace
arabesque
art history
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Cor Anglais
cross-disciplinary aesthetics
Curvilinear Design
Debussy
decorative arts theory
Edmond De Goncourt
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European art history
exoticism
Feminine Exotic
Flute Melody
Giovanni Pierluigi Da Palestrina
Girault De Prangey
Goethe
Ibn Tulun
Ibn Tulun Mosque
interdisciplinary arabesque analysis
intermedial aesthetics
Islamic art
Jasmine Revolution
Jones's Grammar
Jones’s Grammar
music and art
music and visual culture
music history
musical ornament
musicology
musicology research
Nabi Painter
nineteenth century art
nineteenth century music
Olivier Messiaen
Orientalism
Orlando Di Lasso
ornament
ornamental art
ornamental motifs
ornamentation
Paul Gauguin
Pierre Bonnard
Revue Blanche
RMN Grand Palais
Romanticism
Soft Dynamics
Solo Flute
the arabesque
UNC Chapel Hill
visual culture
visual culture studies
Young Man

Product details

  • ISBN 9780367859497
  • Weight: 530g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Nov 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Featuring multidisciplinary research by an international team of leading scholars, this volume addresses the contested aspects of arabesque while exploring its penchant for crossing artistic and cultural boundaries to create new forms. Enthusiastically imported from its Near Eastern sources by European artists, the freely flowing line known as arabesque is a recognizable motif across the arts of painting, music, dance, and literature. From the German Romantics to the Art Nouveau artists, and from Debussy’s compositions to the serpentine choreographies of Loïe Fuller, the chapters in this volume bring together cross-disciplinary perspectives to understand the arabesque across both art historical and musicological discourses.

Anne Leonard is Manton Curator of Prints, Drawings, and Photographs at the Clark Art Institute in Williamstown, Massachusetts. She is co-editor of The Routledge Companion to Music and Visual Culture and author of The Tragic Muse: Art and Emotion, 17001900.