Archaeology of Seeing

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A01=Liliana Janik
archaeology
art
art/archaeology
artarchaeology
Author_Liliana Janik
Blombos Cave
Category=AGA
Category=NK
Cave Lion
Chauvet Cave
cognitive archaeology
contemporary art scene
cross-cultural art interpretation
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Female Figurine
Giovanni Battista Piranesi
human visual cognition
Jim Bond
Kinetic Art
M1 Phase
Mammoth Steppe
Mammoth Tusk
material culture analysis
Moche Pottery
Modern Humans
neuroarchaeology of visual art
neurophysiology
Palaeolithic Paintings
Prehistoric Art
Prehistoric Rock Art
prehistoric symbolism
Prestige Goods Economy
Rock Art
Sacrifice Ceremony
Tracey Emin
Unknown Artist
Venus Figurines
Vice Versa
View Points
Viewpoint
visual perception research
Young Man

Product details

  • ISBN 9780367360252
  • Weight: 1160g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Feb 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more.

The engaging argument draws on current thinking in archaeology, on how we can interpret the behaviour of people in the past through their use of material culture, and how this affects our understanding of how we create and see art in the present. Exploring themes of gender, identity, and story-telling in visual material culture, this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such, it will interest lovers of both art and archaeology.

Illustrated with examples from around the world, from the earliest art from hundreds of thousands of years ago, to the contemporary art scene, including street art and advertising, Janik cogently argues that the human capacity for art, which we share with our most ancient ancestors and cousins, is rooted in our common neurophysiology. The ways in which our brains allow us to see is a common heritage that shapes the creative process; what changes, according to time and place, are the cultural contexts in which art is produced and consumed. The book argues for an innovative understanding of art through the interplay between the way the human brain works and the culturally specific creation and interpretation of meaning, making an important contribution to the debate on art/archaeology.

Liliana Janik is Assistant Director of Research, Deputy Director at the Cambridge Heritage Research Centre, and Fellow of Girton College, University of Cambridge. She leads research projects in Japan and Russia. She specialises in prehistoric art: rock art, sculpture, and neuroaesthetic approaches to art, as well as heritage of the landscape.

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