Archaeology's Visual Culture

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A01=Roger Balm
Aerial Archaeology
Aerial Observation
Aerial Photographs
Aerial Survey
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Archaeological Stratigraphy
archaeological subjectivity
archival imagery studies
Art
Author_Roger Balm
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Category1=Non-Fiction
Category=HDA
Category=JF
Category=JHM
Category=NKA
COP=United Kingdom
Cranborne Chase
CWI
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Embodiment
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
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heritage interpretation
ILN
Imagery
Imagination
Language_English
Las Monjas
Leskernick Hill
Linda Schele
Linear Traces
Maiden Castle
material culture analysis
Materiality
Maya Studies
Meaning symbol
Moisture Content
museum representation
Object material
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Pan American
Pan American Airways
Pennsylvania Museum
Piedras Negras
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Radar Rivers
Remote Sensing
Seeing
softlaunch
Stonehenge Avenue
Tatiana Proskouriakoff
Visible Light Portion
visual analysis in archaeology
visual anthropology
Windmill Hill

Product details

  • ISBN 9781138941151
  • Weight: 634g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Dec 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing.

Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth to the early twenty-first century, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.

Roger Balm is a geographer with a research interest in the ancient cultural landscapes of Mexico, South America and the Mediterranean. He was a 2010 Fulbright scholar in Cyprus and has also held a fellowship with the American Geographical Society. He is an independent scholar.

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