Architectural Possibilities in the Work of Eisenman

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A01=Michael Jasper
Alejandro Zaera Polo
architectural theory
Architecture
Architecture Association
Author_Michael Jasper
California State University
Casa Del Fascio
Category=AM
Category=AMB
Category=AMC
Category=AMD
Category=AMX
Columbus Convention Center
conceptual architecture
Decomposition
Deconstruction
design pedagogy
DNA Figure
Eisenman Architects
Eisenman's Project
Eisenman's Work
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Form
formal analysis in architectural projects
Formal Spatial Condition
Franco Purini
Giuseppe Terragni
High Modernism
Historical Writing Project
history of architecture
IBA
Internal Displacement
Jeffrey Kipnis
Le Corbusier's Venice Hospital
Monte Dei Paschi Bank
Peter Eisenman
Pier Vittorio Aureli
Reprographic Copy
resistance in design
spatial analysis
Spatial Effects
Temporality
Theory
Unfolding Events
University Art Museum
Wexner Center
Working Place Holder
Yokohama International Port

Product details

  • ISBN 9781032379555
  • Weight: 320g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines the central decades of Peter Eisenman’s work through a formal and thematic analysis of key architectural projects and writings, revealing underlying characteristics and arguing for their productive continuity and transformative role.

The book explores Eisenman’s approach to architectural form generation and thinking. It does this through a thematic and formal analysis of projects and writings from the mid-1970s to the mid-1990s. Following an introductory chapter addressing the theme of potentialities, the book is organised in two parts. The first part focuses on key period writings of Eisenman, framing the close reading around a practice of resistance, the architect’s approach to history as analysis, and the transformative conceptualisation of time. In the second part, the book undertakes an analysis of select projects from the 1980s and 1990s. Three formal preoccupations and conceptual orientations – ground manipulations, figuration, and spatial events – organise this part of the book. Previously unpublished material from the Peter Eisenman fonds, Canadian Centre for Architecture, Montréal, provides primary source material. A concluding chapter addresses Eisenman’s teaching, its relation to his larger project, and possible legacies for educators, practitioners, scholars, and theorists.

Michael Jasper is Professor of Architecture in the Faculty of Arts and Design at the University of Canberra. A former Visiting Scholar at Columbia University Graduate School of Architecture Planning and Preservation, and former Visiting Scholar at the American Academy in Rome, he is the author of Architectural Aesthetic Speculations, and Deleuze on Art: The Problem of Aesthetic Constructions.

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