Architecture, Aesthetics, and the Predicaments of Theory

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Apparent Presence
Architectural Display
architectural historiography
Architecture's Search
Architecture’s Search
Author_Amir H Ameri
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Crawford Manor
critical aesthetics
Discursive Tradition
Engaged Column
Enlightenment architecture analysis
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False Jewel
Great Spiritual Power
Le Corbusier
Marc Antoine Laugier
Mere Frame
Modern Painters
Ornamental Appendage
Ornamental Form
Plaster Of Paris
Renaissance architectural discourse
Renaissance Palazzos
Romanticism in built environment
Ruskin's Lamps
Ruskin’s Lamps
Rustic Hut
Self-referential Message
Ten Books
theoretical frameworks in architectural criticism
True Architecture
True Beauty
True Delightfulness
True Ornament
Western Architecture
Western design theory

Product details

  • ISBN 9781032008004
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Architecture, Aesthetics, and the Predicaments of Theory offers a critical analysis of the methodological constants and shared critical strategies in the history of theoretical discourse on Western architecture. Central to these constants is the persistent role of aesthetics as a critical tool for the delimitation of architecture. This book analyzes the unceasing critical role aesthetics is given to play in the discourse of architecture.

The book offers a close and critical reading of three seminal texts from three different periods in the history of theoretical discourse on Western architecture—the Renaissance, the Enlightenment, and 19th-century Romanticism. The first text is Leone Battista Alberti's Ten Books on Architecture of 1452, the next Marc-Antoine Laugier’s An Essay on Architecture of 1753, and last, John Ruskin’s The Seven Lamps of Architecture of 1849. Additional influential texts from, among others, the 20th and 21st centuries are engaged with along the way to locate and contextualize the arguments within the broader discursive tradition of Western architecture.

The book will interest scholars and students of architecture, architectural history and theory, as well as scholars and students of cultural studies, aesthetic philosophy, art history, literary criticism, and related disciplines.

Amir H. Ameri is Professor of Architecture at the University of Colorado, Denver. He has taught architectural history, theory, and design at various academic institutions throughout the United States. His research and teaching explore the multifaceted dialogue between architecture and culture. His previous book, The Architecture of the Illusive Distance, was published by Ashgate/Routledge.

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