Architecture and the Landscape of Modernity in China before 1949

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A01=Edward Denison
architectural historiography
Author_Edward Denison
Category=AMX
Chen Zhanxiang
Chen Zhi
China's Encounter
chinas
China’s Encounter
Chinese Architects
Chinese Architecture
Chinese modernism
CMSNC
colonial urbanism
cross-cultural exchange
Dong Dayou
encounter
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fan Wenzhao
Feng Zikai
liang
Liang Sicheng
Lin Huiyin
Ling Shuhua
Liu Dunzhen
Lu Xun
Manchukuo development
Modern Chinese Architecture
Mu Shiying
Multiple Modernities
Nationale Des Beaux Arts
pre-Communist Chinese architectural modernity
Shi Zhecun
sicheng
Sir William Chambers
SMR Zone
Sun Yat Sen's Mausoleum
Sun Yat Sen’s Mausoleum
treaty port architecture
Yang Tingbao
Yokomitsu Riichi
Young Men

Product details

  • ISBN 9781472431684
  • Weight: 880g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Feb 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional.

These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo.

The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.

Edward Denison is an architectural historian and lecturer at the Bartlett School of Architecture, University College London. His previous publications include: Ultra-Modernism: Architecture and Modernity in Manchuria (2017), Luke Him Sau, Architect (2014), The Life of the British Home (2012), McMorran & Whitby (2009), Modernism in China (2008), Building Shanghai (2006), and Asmara: Africa’s Secret Modernist City (2003).

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