Architecture in the Age of Pornography

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Alain Badiou
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Badiou's Terms
Badiou’s Terms
Balcony
Byung-Chul Han
Camera Obscura
Capitalism As Religion
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Contemporary Society
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critical theory
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Digital Panopticon
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ethical imperatives
Genet's Play
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Giorgio Agamben
Goethe's Elective Affinities
Goethe’s Elective Affinities
Guy
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image regime
Joan Copjec
Language_English
Le Corbusier
Living
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Naked
Naked Power
Napoleon III
neoliberal pedagogy
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philosophical analysis of architectural images
Political Truth
Pornography and Utilitarianism
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Shoshana Zuboff
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spectacle society
Spectacular Exhibition
Strongest
Surveillance Capitalism
The Fetish of Democracy
visual culture critique
Walter Benjamin

Product details

  • ISBN 9781032049052
  • Weight: 640g
  • Dimensions: 138 x 216mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Architecture, and its pedagogy in the academy, is dominated by the technology of image production that veils the ‘naked power’ behind its operation. It conforms to the principles of cultural logic of the society of the spectacle, consistent with neoliberal capitalism. The problem with this dominant pedagogy is that it violates the fundamental ethical imperative, putting architecture in direct contradiction with the ‘common good’. In addition, it has let architecture enter the brothel of pornographic capitalism which turns every object into an object of obscene gratification of the senses.

In this book, Nadir Lahiji adopts Alain Badiou’s thesis from The Pornographic Age to demonstrate that contemporary architecture is in absolute complicity with the pornographic present. The traits that Badiou identifies in this age are manifestly visible in architectural surfaces which are subordinated to the same ‘regime of images’. Similarly to Badiou’s political indictments of the society which has given rise to the pornographic present, the book condemns the architecture that has lent its service to the same society with a license to consummate its transgression to better cater to the imperative of the ‘regime of images’.

Transposing the conceptual categories in Badiou’s analysis to the critique of architecture’s pornographic turn in contemporary society, the book constructs a conceptual framework by which to demonstrate the specific manifestations of pornography in building. The book is aimed at architecture students at higher graduate and post-graduate levels.

Nadir Lahiji is an architect. He is most recently the author of Architecture, Philosophy and the Pedagogy of Cinema (Routledge, 2021), Architecture or Revolution: Emancipatory Critique after Marx (Routledge, 2020), and An Architecture Manifesto: Critical Reason and Theories of a Failed Practice (Routledge, 2019). His previous publications include, among others, Adventures with the Theory of the Baroque and French Philosophy and the co-authored The Architecture of Phantasmagoria: Specters of the City.