Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France

Regular price €192.20
A01=Iris Moon
Architects Charles Percier
architectural responses to political upheaval
architecture
art and politics
Author_Iris Moon
Beaux Arts De Paris
Category=AMB
Category=AMX
Charles III
Charles IV
Charles Percier
Corps De Garde
Council Room
De Castries
decorative arts
Des Monuments
Directory Period
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fontaine's Work
Fontaine’s Work
France
French decorative arts
Funerary Monument
Girodet's Paintings
Girodet’s Paintings
imperial symbolism
imperialism
Interior Decoration
King Gustav III
Lenoir's Museum
Lenoir’s Museum
memory
memory and temporality in design
monarchy
Napoleon III
national identity
neoclassical interiors
nineteenth century
Outline Engraving
Pierre-Francois-Leonard Fontaine
political iconography
political identity
Prix De Rome
Recueil De
revolution
revolutionary France
revolutionary visual culture
RMN Grand Palais
Salle Des Machines
sovereignty
Spanish Court
symbols
Tilden Foundations
time
visual culture
Wallach Division

Product details

  • ISBN 9781472480163
  • Weight: 660g
  • Dimensions: 174 x 246mm
  • Publication Date: 24 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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As the official architects of Napoleon, Charles Percier (1764–1838) and Pierre-François-Léonard Fontaine (1762–1853) designed interiors that responded to the radical ideologies and collective forms of destruction that took place during the French Revolution. The architects visualized new forms of imperial sovereignty by inverting the symbols of monarchy and revolution, constructing meeting rooms resembling military encampments and gilded thrones that replaced the Bourbon lily with Napoleonic bees. Yet in the wake of political struggle, each foundation stone that the architects laid for the new imperial regime was accompanied by an awareness of the contingent nature of sovereign power. Contributing fresh perspectives on the architecture, decorative arts, and visual culture of revolutionary France, this book explores how Percier and Fontaine’s desire to build structures of permanence and their inadvertent reliance upon temporary architectural forms shaped a new awareness of time, memory, and modern political identity in France.

Iris Moon is a visiting assistant professor in the School of Architecture at Pratt Institute, New York. She specializes in eighteenth- and nineteenth-century European art, architecture, and the decorative arts.