A01=Paul Benzon
and digital literature
Andy Warhol Kevin Young Don DeLillo Hari Kunzru
archival fiction in contemporary writing
Author_Paul Benzon
avant-garde engagement with books and screens
Best books on literature and technology
Books in the digital age
Category=DSBH
Category=JBCT
critical approaches to media poetics
cultural history of books in digital era
Digital humanities and experimental fiction
Digital humanities and literature
digital humanities and modern narratives
digital innovation and the codex
Digital preservation in literature
digital technology shaping literary expression
Digital transformation in publishing
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
evolving literary conventions in digital times
Experimental literature
experimental literature and archival memory
Experimental storytelling and technology
Fiction and digital preservation
Film studies and literature
film studies and media theory in fiction
formal experimentation in digital age
How fiction engages with technological change
How media changes storytelling
intersections of technology and narrative form
literary adaptation to new media forms
Literary archives and technology
Literary engagement with media
literary form and media evolution
Literary responses to digital culture
literary responses to onscreen replication
Literature and digital disruption
literature and the end of print hegemony
Literature in the age of screens
Literature on media evolution
Media history in fiction
Media studies and literary analysis
media studies and literary criticism intersect
Media technology and literature
media technology and print literature
Media theory and contemporary fiction
memory
narrative archives in changing technology
new possibilities for books in digital age
Post-print literature
print and screen convergence in modern fiction
Print hegemony in literature
Print vs. digital media
printed books versus digital alternatives
recording
remediated books and narrative experimentation
rethinking literary memory in media shifts
role of archives in contemporary storytelling
speculative fiction on media transformation
Speculative media history
speculative media history in literature
textual innovation in post-print culture
The death of print?
The digital shift in literary studies
The future of books in a digital world
The impact of digital media on fiction
The impact of technology on writing
The intersection of literature and technology
twentieth and twenty-first century fiction and media
writers imagining future of print
Product details
- ISBN 9781625345998
- Weight: 390g
- Dimensions: 149 x 226mm
- Publication Date: 21 Dec 2021
- Publisher: University of Massachusetts Press
- Publication City/Country: US
- Product Form: Paperback
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Technological innovation has long threatened the printed book, but ultimately, most digital alternatives to the codex have been onscreen replications. While a range of critics have debated the benefits and dangers of this media technology, contemporary and avant-garde writers have offered more nuanced considerations.
Taking up works from Andy Warhol, Kevin Young, Don DeLillo, and Hari Kunzru, Archival Fictions considers how these writers have constructed a speculative history of media technology through formal experimentation. Although media technologies have determined the extent of what can be written, recorded, and remembered in the immediate aftermath of print's hegemony, Paul Benzon argues that literary form provides a vital means for critical engagement with the larger contours of media history. Drawing on approaches from media poetics, film studies, and the digital humanities, this interdisciplinary study demonstrates how authors who engage technology through form continue to imagine new roles for print literature across the late twentieth and early twenty-first centuries.
Taking up works from Andy Warhol, Kevin Young, Don DeLillo, and Hari Kunzru, Archival Fictions considers how these writers have constructed a speculative history of media technology through formal experimentation. Although media technologies have determined the extent of what can be written, recorded, and remembered in the immediate aftermath of print's hegemony, Paul Benzon argues that literary form provides a vital means for critical engagement with the larger contours of media history. Drawing on approaches from media poetics, film studies, and the digital humanities, this interdisciplinary study demonstrates how authors who engage technology through form continue to imagine new roles for print literature across the late twentieth and early twenty-first centuries.
