Archives of the Black Atlantic

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A01=Wendy W. Walters
African diaspora studies
Alexander's Poems
Amistad Africans
Amistad Captives
Amistad Rebellion
archival methodologies
archival research in Black literature
Archive
Aspirational Register
Atlantic
Author_Wendy W. Walters
Black
Black Book
Black Historical Literature
Black intellectual history
Category=DSB
Category=DSBH5
Category=JBSL
Category=JHB
Chapel Hill Libraries
Colonial Library
Diaspora
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fortune's Bones
Jamaica Committee
literary historiography
Literature
Mass Incarceration Movement
Michelle Cliff
Multiple Existence
Nara's Diary
National Library
Philip's Poem
postcolonial critique
Research
Ship Owners
Slave Ship Zong
Town Founders
trans-Atlantic Slave Trade
Transatlantic Slave Trade Database
transnational cultural analysis
Turner's Painting
Wendy W. Walters
Young Men
Zong Case

Product details

  • ISBN 9781138377707
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Aug 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Many African diasporic novelists and poets allude to or cite archival documents in their writings, foregrounding the elements of archival research and data in their literary texts, and revising the material remnants of the archive. This book reads black historical novels and poetry in an interdisciplinary context, to examine the multiple archives that have produced our historical consciousness. In the history of African diaspora literature, black writers and intellectuals have led the way for an analysis of the archive, querying dominant archives and revising the ways black people have been represented in the legal and hegemonic discourses of the west. Their work in genres as diverse as autobiography, essay, bibliography, poetry, and the novel attests to the centrality of this critique in black intellectual culture. Through literary engagement with the archives of the slave trader, colonizer, and courtroom, creative writers teach us to read the archives of history anew, probing between the documents for stories left untold, questions left unanswered, and freedoms enacted against all odds. Opening new perspectives on Atlantic history and culture, Walters generates a dialogue between what was and what might have been. Ultimately, Walters argues that references to archival documents in black historical literature introduce a new methodology for studying both the archive and literature itself, engaging in a transnational and interdisciplinary reading that exposes the instability of the archive's truth claim and highlights rebellious possibility.

Wendy W. Walters is Associate Professor of Writing, Literature, and Publishing at Emerson College, US.

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