Arden Research Handbook of Contemporary Shakespeare Criticism

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character studies
close reading
cognitive ethology
computational
cultural materialist
disability
ecocritical
ecofeminist
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ethnicity
feminist
genre studies
global
Marxist
new historicist
postcolonial
posthumanist
presentist
psychoanalytic
queer
race
spiritual
theory

Product details

  • ISBN 9781350327504
  • Weight: 580g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Jul 2022
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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The Arden Research Handbook of Contemporary Shakespeare Criticism is a wide-ranging, authoritative guide to research on critical approaches to Shakespeare by an international team of leading scholars. It contains chapters on 20 specific critical practices, each grounded in analysis of a Shakespeare play. These practices range from foundational approaches including character studies, close reading and genre studies, through those that emerged in the 1970s and 1980s that challenged the preconceptions on which traditional liberal humanism is based, including feminism, cultural materialism and new historicism. Perspectives drawn from postcolonial, queer studies and critical race studies, besides more recent critical practices including presentism, ecofeminism and disability all receive detailed treatment.

In addition to its coverage of distinct critical approaches, the handbook contains various sections that provide non-specialists with practical help: an A–Z glossary of key terms and concepts, a chronology of major publications and events, an introduction to resources for study of the field and a substantial annotated bibliography.

Evelyn Gajowski is Barrick Distinguished Scholar and Professor of English Emerita at the University of Nevada, Las Vegas, USA. She has published four books: The Merry Wives of Windsor: New Critical Essays, with Phyllis Rackin (2015); Presentism, Gender, and Sexuality in Shakespeare (2009); Re-Visions of Shakespeare: Essays in Honor of Robert Ornstein (2004); and The Art of Loving: Female Subjectivity and Male Discursive Traditions in Shakespeare's Tragedies (1992). She serves as Series Editor of the Arden Shakespeare and Theory Series.