Ardit Gjebrea’s Projekt Jon

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1990s
A01=Nicholas Tochka
A01=Professor or Dr. Nicholas Tochka
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Age Group_Uncategorized
Albanian Civil War
Author_Nicholas Tochka
Author_Professor or Dr. Nicholas Tochka
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Category1=Non-Fiction
Category=AVGH
Category=AVH
Category=AVLT
Category=AVP
citizenship
COP=United States
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
European post-socialism
European Union identity
Language_English
market failure
PA=Not yet available
Price_€50 to €100
PS=Active
social unrest
softlaunch
the Balkans

Product details

  • ISBN 9781501363078
  • Dimensions: 127 x 197mm
  • Publication Date: 22 Feb 2024
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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As market reforms and migration transformed Albania in the early 1990s, Ardit Gjebrea began mixing traditional folk music with world music and Italian pop. The resulting album, Projekt Jon (1997), provided a new model for song—Western and cosmopolitan, yet firmly rooted in the fertile soil of the nation—against a backdrop of deepening political uncertainty about the very future of Albania.

The Ionian Project announced itself with the frenetic beating of the daullë and the traditional cries of Albania’s highland shepherd. This sprawling collaboration between singer-songwriter Ardit Gjebrea, folk singer Hysni Zela, producer Paul Mazzolini, and a team of crack studio musicians in Italy, had an outsized ambition: to transcend the small postsocialist nation-state’s borders, imaginatively crafting through sound a new home in Europe for its citizens. But as Gjebrea prepared to launch Projekt Jon, violence prompted by the collapse of widespread pyramid schemes threatened to tear Albania apart. And for the intellectuals concerned about growing cracks in the symbolic foundations of the Albanian nation-state, the album came to serve as a referendum on the nature of postsocialist citizenship.

Nicholas Tochka is Associate Professor of Ethnomusicology at the University of Melbourne in Australia. He is the author of Audible States: Socialist Politics and Popular Music in Albania (2016) and Rocking in the Free World: Popular Music and the Politics of Freedom in Postwar America (2023).

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