Argentine, Mexican, and Guatemalan Photography

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A01=Ay?e Gürsan Salzmann
A01=David William Foster
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Age Group_Uncategorized
Author_Ay?e Gürsan Salzmann
Author_David William Foster
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Category1=Non-Fiction
Category=AJ
Category=JBSF
Category=JBSJ
Category=JFSJ
Category=JFSK
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Graciela Iturbide
Language_English
Latin American photography
Marcos López
PA=Available
Pedro Meyer
photography in Argentina
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781477309803
  • Weight: 254g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Oct 2014
  • Publisher: University of Texas Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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One of the important cultural responses to political and sociohistorical events in Latin America is a resurgence of urban photography, which typically blends high art and social documentary. But unlike other forms of cultural production in Latin America, photography has received relatively little sustained critical analysis. This pioneering book offers one of the first in-depth investigations of the complex and extensive history of gendered perspectives in Latin American photography through studies of works from Argentina, Mexico, and Guatemala.

David William Foster examines the work of photographers ranging from the internationally acclaimed artists Graciela Iturbide, Pedro Meyer, and Marcos LÓpez to significant photographers whose work is largely unknown to English-speaking audiences. He grounds his essays in four interlocking areas of research: the experience of human life in urban environments, the feminist matrix and gendered cultural production, Jewish cultural production, and the ideological principles of cultural works and the connections between the works and the sociopolitical and historical contexts in which they were created. Foster reveals how gender-marked photography has contributed to the discourse surrounding the project of redemocratization in Argentina and Guatemala, as well as how it has illuminated human rights abuses in both countries. He also traces photography’s contributions to the evolution away from the masculinist-dominated post–1910 Revolution ideology in Mexico. This research convincingly demonstrates that Latin American photography merits the high level of respect that is routinely accorded to more canonical forms of cultural production.

David William Foster (1940–2020) was Regents' Professor of Spanish at Arizona State University.where he also led the Brazilian Studies Program. He is the author of many books, including Queer Issues in Latin American Cinema and Mexico City in Contemporary Mexican Cinema.

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