Aristophanes and Women (Routledge Revivals)

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A01=Lauren Taaffe
actors
Ancient Greece
ancient Greek comedy
Ancient Greek Literature
aristophanic
Aristophanic Comedy
Aristophanic Play
Athenian society research
Attic Black Figure
Attic Red Figure
Author_Lauren Taaffe
Category=DB
Category=DSBB
Category=DSG
Category=JBCC
Category=JBSF
Category=JBSF11
Category=NHC
city
City Dionysia
classical theatre studies
comedy
costume
dionysia
dramatic irony analysis
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Euripidean Play
female
Female Figures
Female Mask
feminist literary criticism
Feminist Performance Criticism
figures
Gender Disguise
gender representation
GSV
Henderson 1987b
Lemnian Women
Main Characters
male
Male Actors
Male Voice
Metatheatrical Joke
ODK
play
Rural Dionysia
Satyr Play
Scythian Archer
Tra Ta
women in classical Greek plays
Young Man

Product details

  • ISBN 9781138018549
  • Weight: 580g
  • Dimensions: 138 x 216mm
  • Publication Date: 10 Jun 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Aristophanes and Women, first published in 1993, investigates the workings of the great Athenian comedian’s ‘women plays’ in an attempt to discern why they were in fact probably quite funny to their original audiences. It is argued that modern students, scholars, and dramatists need to consider much more closely the conditions of the plays’ ancient productions when evaluating their ostensible themes.

Three plays are focused upon: Lysistrata, Thesmophoriazusae, and Ecclesiazusae. All seem to speak quite eloquently to contemporary concerns about women’s rights, the value of women’s work, and the relationships between women and war, literary representation and politics.

On the one hand, Professor Taaffe tries to retrieve what an ancient Athenian audience may have l appreciated about these plays and what their central theses may have meant within that culture. On the other hand, Aristophanes is discussed from the perspective of a late twentieth-century, specifically female, reader.

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