Arnheim for Film and Media Studies

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Arnheim's Approach
Arnheim's Film
Arnheim's Ideas
Arnheim's Theory
Arnheim's Thought
Arnheim's View
Arnheim's Work
arnheims
Arnheim’s Approach
Arnheim’s Film
Arnheim’s Ideas
Arnheim’s Theory
Arnheim’s Thought
Arnheim’s View
Arnheim’s Work
art
Avant Garde Film
Category=ATFA
Category=JBCT
Category=NH
classical
Classical Film Theory
Color Film
Creative Eye
Della
digital image theory
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
essays
film aesthetics
Film Art
Film Essays
Frame Enlargement
gestalt perception in film
Gestalt Problem
Gi Ns
Killing Joke
Major Film Theories
media analysis methods
modernist cinema studies
perception
Photographic Medium
rudolf
Rudolf Arnheim
Sc Ot
Siegfried Kracauer
silent era criticism
sound
Sound Film
theory
University Of Wisconsin
visual
visual cognition
work

Product details

  • ISBN 9780415801089
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Sep 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies.

In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media.

This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.

Wesleyan, USA