Art and Craft of Motion Picture Editing

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A01=Michael Hoggan
advanced film editing for researchers
audience engagement strategies
Author_Michael Hoggan
Category=ATFX
Category=JBCT
cinematic storytelling methods
Complementary Shots
Cover Shots
creative collaboration techniques
Dit
editing workflow optimization
Editor's Cut
Editor’s Cut
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film post-production
Fireman
Follow
Henri De Toulouse Lautrec
Key Light
Lucky Number
Main Character
Master Shot
Motion Picture Editing
narrative structure analysis
Original Raw Files
Perceptual Heartbeat
Playback
Preview Screenings
Shooting Plan
Sound Design
Sound Editor
Sound Mixing
Spotting Session
Support MaterialS
Tv Set
Vice Versa
Violating

Product details

  • ISBN 9780367568788
  • Weight: 540g
  • Dimensions: 178 x 254mm
  • Publication Date: 23 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explains the broader context of what the art and craft of motion picture editing entails, framing the creative acts of editing within an overall view of the production process and requirements for effective storytelling.

This book offers real experiences and advice from seasoned editors on the editing process, providing a detailed examination of filmmaking from the editor’s point of view and exploring how best to cultivate creative relationships with other areas of production to form the final personality of the film. Emphasizing both practicality and creativity, industry veteran Michael Hoggan successfully bridges the gap between the mechanical skills of editing and the thought process behind these decisions. While most books focus primarily on the mind of the creator, this book explores the evolution of practices in film production and editing with respect to the ever-changing expectations of the audience. As the book demonstrates, understanding editing from the audience’s perspective is essential to any successful film.

This book will be of interest to post-production students, independent filmmakers, film critics, and agents with editing clients.

It is accompanied by a collection of rich digital materials, including a glossary, bibliography, and more.

Michael Hoggan is the former President of the American Cinema Editors and currently a professor of film production and editing at California State University, Northridge. He has an extensive body of professional work from more than three decades as an editor, writer, producer, and director. He has received ACE Eddie and Emmy nominations, including Best Editing for Miami Vice and Homefront.

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