Art and Cultural Production in the Gulf Cooperation Council

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Abu Dhabi
Akram Zaatari
Al Qadiri
Arab Gulf states
Art
Art Dubai
authenticity debates
Category=AB
Category=JBCC
Category=JP
Censorship
censorship in art
Contemporary Art
Contemporary Public Art
cultural policy analysis
Culture
Doha's Corniche
Doha’s Corniche
Elizabeth Derderian
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethno Nationalist Conception
Family Friendly
GCC
GCC Country
GCC Nation
GCC Region
GCC State
Gulf Cities
Gulf Cooperation Council
Gulf states soft power
Heydar Aliyev
Karen Exell
Lesley Gray
Louvre Abu Dhabi
Mehriban Aliyeva
migrant labour identity
Msheireb Properties
museology Middle East
Nadia Mounajjed
Nancy Demerdash
Public Art
Public Artworks
Qatar Museums
Saadiyat Island
Sarina Wakefield
Shaikh Zayed Bin Sultan Al
Sharjah Biennial
Soft Power
state-driven cultural initiatives GCC
Zayed Bin Sultan Al Nahyan

Product details

  • ISBN 9780367592691
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Aug 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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State-driven investments in art and cultural production in the states of the Gulf Cooperation Council (GCC) are an important part of the search for longer-term alternatives to the longer-term unsustainability of the hydrocarbon-based economic development model. They also are an element in the search for soft power and status, and intersect with the nation-building project. The long-term planned––and unplanned––effects of such cultural initiatives include a necessary opening up to a future of unexpected and often undesired cultural encounters, whether in the classroom, the art gallery, the sports stadium, or the labor office. As states driven by a desire to raise both their regional and international status, but needing to satisfy their domestic conservative constituencies, their greatest test will be their judicious negotiating of the conflicting sociocultural elements of an increasingly globalized world. This volume offers a comprehensive multi-disciplinary analysis of this complex arena and the state of art and cultural production in these Gulf societies, through original studies on identity formation and an emerging museology; the aesthetics of censorship; the question of authenticity; cultural projects as state-driven soft power efforts; the phenomenon of public art; and artistic engagements with migrant labor communities.

The chapters originally published as a special issue in the Journal of Arabian Studies.

Suzi Mirgani is Managing Editor at the Center for International and Regional Studies (CIRS), Georgetown University in Qatar. She is author of Target Markets: International Terrorism Meets Global Capitalism in the Mall (2017); and co-editor of Bullets and Bulletins: Media and Politics in the Wake of the Arab Uprisings (with Mohamed Zayani, 2016); and Food Security in the Middle East (with Zahra Babar, 2014). Mirgani is an independent filmmaker highlighting stories from Qatar.