Art and Globalization

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Anthony D. King
anthropology
art
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B01=Alice Kim
B01=James Elkins
B01=Zhivka Valiavicharska
biennale culture
Caroline Jones
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Category=ABA
Category=AC
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Charles Green
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cultural studies
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Elkins
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ethnic identity
Fredric Jameson
globalization
Harry Harootunian
Iftikhar Dadi
Joaquin Barriendos
John Clark
Keith Moxey
kim
Language_English
Literature
Michael Ann Holly
nationalism
Nestor Garcia Canclini
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Partha Mitter
political economy
political theory
postcolonial theory
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Rasheed Araeen
Shigemi Inaga
sociology
softlaunch
Suman Gupta
Susan Buck-Morss
T. J. Demos
Thomas DaCosta Kaufmann
Valiavicharska

Product details

  • ISBN 9780271037172
  • Weight: 658g
  • Dimensions: 178 x 254mm
  • Publication Date: 15 Nov 2011
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art.

Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee.

Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today.

James Elkins is Associate Professor in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago.

Zhivka Valiavicharska is a PhD candidate in the Rhetoric Department at the University of California, Berkeley.

Alice Kim is a PhD candidate in the Rhetoric Department at the University of California, Berkeley.