Art and Masculinity in Post-War Britain

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A01=Gregory Salter
artists
Author_Gregory Salter
Bacon's Art
Bacon's Representations
Bacon's Works
Bacon’s Art
Bacon’s Representations
Bacon’s Works
Blue III
Blue Series
British art history
British Psychoanalysis
Cable Street
Category=AGA
Category=JHMC
Cock Crow
Dick's Book
Dick’s Book
domestic space representation
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gender identity studies
George's Performance
George’s Performance
Giovanni's Room
Giovanni’s Room
heritage studies
Home Stretches
John Bratby
masculinity
masculinity in visual culture Britain
personal reconstruction
Post-war Britain
Post-war Home
postwar reconstruction
Public Reconstruction
Queer Experience
Queer Home
Queer Intimacy
Queer Men
queer theory analysis
Railway Arch
social memory research
SS Empire Windrush
St Martin's School
St Martin’s School
Victor Pasmore
Young Men

Product details

  • ISBN 9781032085715
  • Weight: 335g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to resonate with the memories and traumas of wartime. Artists examined in the book include John Bratby, Francis Bacon, Keith Vaughan, Francis Newton Souza and Victor Pasmore. Case studies featured range from the nuclear family and the body, to the nation. Combined, they present an argument that art enables an understanding of post-war reconstruction as a temporally unstable, long-term phenomenon which placed conceptions of home and masculinity at the heart of its aims. Art and Masculinity in Post-War Britain sheds new light on how the fluid concepts of society, nation, masculinity and home interacted and influenced each other at this critical period in history and will be of interest to anyone studying art history, anthropology, sociology, history and cultural and heritage studies.

Gregory Salter is Lecturer in History of Art at the University of Birmingham, UK.

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