Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny

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A01=Nina Athanassoglou-Kallmyer
Agnostic
animals
artists
Author_Nina Athanassoglou-Kallmyer
Biran's Diaries
Biran’s Diaries
body
Book III
Category=AB
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Category=NH
Category=QDTN
Claude Monet
cultural modernism studies
Cuvier
Delacroix
Diderot
Ecole Normale
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eq_history
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Eugene Delacroix
French intellectual history
French Revolution
Garat
Harvard Art Museums
Held
Helvetius
Histoire Naturelle
humans
Impressionism
Impressionism aesthetics
Le Tout
Leonardo
Louvre Museum
Lucretius
Maine De Biran
modernism
modernity
Monet's Paintings
Monet’s Paintings
monism
monist
monist influence on visual arts
Museum Boijmans Van Beuningen
nature
nineteenth-century philosophy
painting
Piazza Del Popolo
Pinel
Romanticism
Romanticism art theory
Rouen Cathedral
Rue Royale
salon
Santa Maria Delle Grazie
science
Silex
spiritual
Theodore Gericault
Titus Lucretius Carus
unity of matter and spirit
Young Man

Product details

  • ISBN 9781032491226
  • Weight: 379g
  • Dimensions: 174 x 246mm
  • Publication Date: 05 May 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called “monism” – the concept of a unity of matter and spirit – emerged and became increasingly popular among intellectuals, artists and scientists.

Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture – from Romanticism to Impressionism – and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791–1824), Eugène Delacroix (1798–1863) and Claude Monet (1840–1926), and their particular approach to and interpretation of this unitarian concept.

The book will be of interest to scholars working in art history, philosophy and cultural history.

Nina Athanassoglou-Kallmyer is Professor Emerita of Art History at the University of Delaware, USA.

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