Art and Reform in the Late Renaissance

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Acqua Vergine
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Agnolo Bronzino
Andrea Al Quirinale
Andrew R. Casper
Anne H. Muraoka
Annibale Carracci
Antoine Caron
architecture
art history
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B01=Jesse M. Locker
Baroque art
Baroque origins
Bartolomeo Bitti
Carmen Ripolles
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Catholic visual culture
Chiesa Nuova
Christ Child
Christa Irwin
Clare Robertson
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Council of Trent
Counter-Reformation
Counter-Reformation art
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Devotio Moderna
early modern art
early modern sculpture
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Estelle Lingo
Eva Struhal
Federico Barocci
France
Francisco Ribalta
Gauvin Alexander Bailey
global art
Hendrick Goltzius
Henry III
history of architecture
Iara A. Dundas
Il Cigoli
international art reform scholarship
Italy
Jean Cousin
Jesuits
Katherine W. Rinne
King Henry III
Language_English
late Renaissance
late Renaissance art
Latin American Colonial Art
Lisandra Estevez
Luca Cambiaso
Madonna Del Popolo
Maniera Moderna
Marcia B. Hall
Marcus B. Burke
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painting
Paul III
Peru
Pieter De Jode
Pope Paul Iii
post-Tridentine Era
post-Tridentine painting
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Reformation
religious iconography studies
Renaissance art
Santa Maria Del Popolo
sculpture
seventeenth century art
Shroud of Turin
sixteenth century art
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Soprintendenza Archeologia
Spain
Stefano Maderno
Stuart Lingo
the Netherlands
Tridentine
Tridentine Decree
Walter S. Melion
wars of religion
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Product details

  • ISBN 9780367665630
  • Weight: 780g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."

Jesse M. Locker is Associate Professor of Art History at Portland State University.