Art and Revolution
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John Berger explores the life and work of Ernst Neizvestny, who, after clashing with Khrushchev, was excluded from the ranks of officially approved Soviet artists. Abandoned to obscurity, Neizvestny laboured to realize a monumental and very public vision of art. Exiled to the United States, he finally found recognition, returning to his homeland with the fall of the Berlin Wall.
Berger's account illuminates the very meaning of revolutionary art. In his struggle against official orthodoxy - which brought him into face-to-face conflict with Khrushchev himself - Neizvestny was fight-ing not for a merely personal or aesthetic vision, but for recognition of the social role of art. His sculptures earn a place in the world by reflecting the courage of a whole people, commemorating, in an age of mass suffering, the resistance and endurance of millions.
Berger's account illuminates the very meaning of revolutionary art. In his struggle against official orthodoxy - which brought him into face-to-face conflict with Khrushchev himself - Neizvestny was fight-ing not for a merely personal or aesthetic vision, but for recognition of the social role of art. His sculptures earn a place in the world by reflecting the courage of a whole people, commemorating, in an age of mass suffering, the resistance and endurance of millions.
Storyteller, novelist, essayist, screenwriter, dramatist and critic, John Berger (1926-2017) was one of the most internationally influential writers of the last fifty years. His many books include Ways of Seeing; the fiction trilogy Into Their Labours; Here Is Where We Meet; the Booker Prize-winning novel G; Hold Everything Dear; the Man Booker-longlisted From A to X; and A Seventh Man.