affect theory
arc
Category=ABA
Category=ATQ
Category=ATX
Category=JBCC
Category=JMR
commissioned
Contemporary Society
cultural memory studies
D C A
Dense
Diligent Improvisation
Disengaged
embodied cognition
enactive memory performance
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Face To Face
Follow
GSA
Hiphop Lyricism
Independent Hiphop
Key Word
La Maestra
linds
maestra
Muscle Memory
Open Mic
Open Mic Session
oral
Oral History
Oral History Interview
Oral History Transcripts
Orangerie
public
Public Art
public art research
sculpture
sensory experience arts
source
tilted
Tilted Arc
TRC's Hearing
TRC’s Hearing
Vice Versa
visual culture analysis
Voice Collage
warren
Young Man
Product details
- ISBN 9780415277969
- Weight: 640g
- Dimensions: 156 x 234mm
- Publication Date: 27 Jun 2002
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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This book investigates the role that the visual and performing arts play in our experience and understanding of the past. Expanding upon longstanding concerns in cultural history about the relation of text and image, the book highlights the distinction between enactive and cognitive memory and the implications of this for artists and their publics.
Richard Cándida Smith is Professor of History at the University of California, Berkeley, where he is also the Director of the Regional Oral History Office, Bancroft Library. He focuses on the modern intellectual and cultural history of the arts. He is the author of Utopia and Dissent: Art, Poetry, and Politics in California (1995) and Mallarmé’s Children: Symbolism and the Renewal of Experience (1999).
