Art and Witchcraft in Early Modern Italy

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A01=Guy Tal
and Archaeology
ART
ART & MAT
Art and Material Culture
Art History
Art italien 16e siecle Histoire et critique
Author_Guy Tal
Baroque & Rococo
Category=AB
Category=AGA
Criticism
demonology
demonology in art
EARLY MOD
early modern art
Early Modern Studies
early modern superstition
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
etc
gender and power imagery
HIS
History
History of art
History of art and design styles: c 1400 to c 1600
History of art and design styles: c 1600 to c 1800
iconography analysis
imagination
interpretation
Italian
Italian 16th century History and criticism
Italian witchcraft representation in painting
magic
MEDIEVAL
Medieval Studies
mythological transformation motifs
Paintings and painting
Renaissance
Renaissance visual culture
Sorcellerie dans l'art
witch
Witchcraft in art

Product details

  • ISBN 9781041175797
  • Weight: 700g
  • Dimensions: 174 x 246mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which representations of witchcraft emerged from and coincided with the main cultural currents and artistic climate of an epoch chiefly celebrated for its humanistic and rational approaches. Through an in-depth examination of a panoply of arresting paintings, engravings, and drawings—variously portraying a hag-ridden colossal phallus, a horror-stricken necromancer dodging the devil’s scrabbling claws, and a nocturnal procession presided over by an infanticidal crone—Guy Tal offers new ways of reading witchcraft images through and beyond conventional iconography. Artists such as Parmigianino, Alessandro Allori, Leonello Spada, and Angelo Caroselli effected visual commentaries on demonological notions that engaged their audience in a tantalizing experience of interpretation.

Guy Tal is Senior Lecturer in the Unit of History and Philosophy at Shenkar College, Israel. His publications on body language, gender, imagination, and witchcraft in early modern Italian, Spanish, and Dutch art appeared in such venues as Simiolus, Word and Image, Print Quarterly, Poetics Today and Zeitschrift für Kunstgeschichte.

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