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Art as Politics in Late Medieval and Renaissance Siena

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ambrogio
Ambrogio Lorenzetti's Fresco
Ambrogio Lorenzetti’s Fresco
Ambrogio Sansedoni
Andrea W. Campbell
Ann Johns
B01=Dr Timothy B. Smith
B01=Judith B. Steinhoff
Benedetto Di Bindo
Berthold Hub
Capitano Del Popolo
Category1=Non-Fiction
Category=AGA
Category=NL-AC
Christ Child
civic identity studies
Civitas Terrena
COP=United Kingdom
Diana Norman
Domenico Beccafumi
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Equestrian Effigy
Format=BB
government
Henk Van Os
HMM=244
Immaculate Virgin
IMPN=Ashgate Publishing Limited
ISBN13=9781409400660
Italian art history
Jennifer Sliwka
Judith B. Steinhoff
Language_English
Machtelt Isra
Machtelt Israels
Madonna Della Misericordia
Opera Del Duomo
PA=Available
palazzo
Palazzo Pubblico
PD=20121015
Pinacoteca Nazionale
Poggio Imperiale
Porta Camollia
Price=€100 to €200
PS=Active
PUB=Taylor & Francis Ltd
pubblico
Rebecca W. Corrie
religious iconography
Renaissance sculpture analysis
republican governance
Sala Dei Nove
San Sepolcro
Sano Di Pietro
sienese
Sienese Art
Sienese Government
Sienese political imagery research
Sienese Saints
Subject=History Of Art/art & Design Styles
Timothy B. Smith
Torre Del Mangia
Town Hall
urban planning medieval
Val Di Chiana
WG=748
WMM=172

Product details

  • ISBN 9781409400660
  • Weight: 748g
  • Dimensions: 174 x 246mm
  • Publication Date: 15 Oct 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Description

In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
About

Timothy B. Smith is an Associate Professor of Art History at Birmingham-Southern College, USA.

Judith B. Steinhoff is an Associate Professor of Art History at the University of Houston, USA.