Art Book Tradition in Twentieth-Century Europe

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Apollinaire's Poetry
Apollinaire’s Poetry
Arnold Daghani
Art Book Tradition
Au Lecteur
Baudelaire's Poetry
Baudelaire’s Poetry
Beckett's Poems
Beckett's Text
Beckett’s Poems
Beckett’s Text
Braque
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CCI
Christopher Short
Daniel Henry Kahnweiler
Deborah Schultz
Della Casa
Derval Tubridy
Dufy
ekphrasis theory
Elza Adamowicz
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eq_nobargain
eq_non-fiction
European avant-garde artists
Fondation Maeght
Franciscus Van Den Enden
Georges Braque
interdisciplinary visual studies
La Belle Captive
Le Bestiaire
Les Fleurs Du Mal
Linda Goddard
Magritte's Paintings
Magritte’s Paintings
Marie Laurencin
materiality of reading
modernist bookworks analysis
Modernist Ekphrasis
Montserrat Roser-I-Puig
Neil Cox
Peter Read
Pictorial Movement
Raoul Dufy
Saint John Perse
Sarah Patricia Hill
Susan Harrow
twentieth-century art literature fusion
word image interaction
Young Man

Product details

  • ISBN 9781409420651
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Oct 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Investigating the complex history of visual art’s engagement with literature, this collection demonstrates that the art of the book is a fully interdisciplinary and distinctly modern form. The essays in the collection develop new critical approaches to the analysis of twentieth-century bookworks and explore ways in which European writers and painters challenged the boundary between visual and linguistic expression in the content, production, and physical form of books. The Art Book Tradition in Twentieth-Century Europe offers a detailed examination of word-image relations in forms ranging from the livre d’artiste to personal diaries and almanacs. It analyzes innovative attempts to challenge familiar hierarchies between texts and images, to fuse different expressive media, and to reconceptualize traditional notions of ekphrasis. Giving consideration to the material qualities of books, the works discussed in this collection also test and celebrate the act of reading, while locating it in the context of other sensory experiences. Essays examine works by Dufy, Matisse, Beckett, Kandinsky, Braque, and Ponge, among other European artists and writers active during the twentieth century.

Kathryn Brown is Assistant Professor of Art History at Tilburg University in the Netherlands. She is the author of Women Readers in French Painting 1870-1890 (Ashgate, 2012).