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Art History after Deleuze and Guattari
Art History after Deleuze and Guattari
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B01=Sjoerd Van Tuinen
B01=Stephen Zepke
Category1=Non-Fiction
Category=ACX
Category=AGA
COP=Belgium
Delivery_Delivery within 10-20 working days
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Language_English
PA=Available
Price_€50 to €100
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Product details
- ISBN 9789462701151
- Weight: 435g
- Dimensions: 160 x 240mm
- Publication Date: 14 Nov 2017
- Publisher: Leuven University Press
- Publication City/Country: BE
- Product Form: Paperback
- Language: English
Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Woelfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a `Deleuzo-Guattarian art history' could be today.
Contributors
Eric Alliez (Kingston University, Universite Paris VIII), Claudia Blumle (Humboldt Universitat zu Berlin), Jean-Claude Bonne (Ecole des Hautes Etudes en Sciences Sociales), Ann-Cathrin Drews (Humboldt Universitat zu Berlin), James Elkins (School of the Art Institute of Chicago), Sascha Freyberg (Max Planck Institute for the History of Science), Antoine l'Heureux (independent researcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejia Mosquera (Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (Pontificia Universidad Javeriana), Bertrand Prevost (Universite Bordeaux Montaigne), Elisabeth von Samsonow (Akademie fur bildende Kunste Wien), Sjoerd van Tuinen (Erasmus University Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke (independent researcher)
Sjoerd van Tuinen is assistant professor of philosophy at Erasmus University Rotterdam, where he is also Director of the Centre for Art and Philosophy and Co-Founder of the Erasmus Institute for Public Knowledge. Stephen Zepke is an independent researcher living in Vienna. He is the author of Sublime Art: Towards an Aesthetics of the Future (2017) and Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (2005). He is the co-editor (with Simon O'Sullivan) of Deleuze, Guattari and the Production of the New (2008) and Deleuze and Contemporary Art (2010).
Art History after Deleuze and Guattari
€65.99
