Art, History, and Anachronic Interventions Since 1990

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9th Istanbul Biennial
A01=Eva Kernbauer
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anachronism
Apichatpong Weerasethakul
archival practices
art history
art theory
Artistic Historiography
artworks
Atlas Group
Author_Eva Kernbauer
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Bird's Eye
Bird’s Eye
British Empire Exhibition
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Category=AB
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Category=AGA
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chronology
Communist Party USA
contemporary art
contemporary historiography
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counterfactual narratives
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documentary
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eq_history
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EU Migration Policy
experimental history writing in art
film
future
Gujarat Pogroms
Harun Farocki
heterochrony
historiography
Johan Maurits
Language_English
methodology
Museo Nacional Centro De Arte
Omer Fast
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Paha Sapa
painting
past
performance
political agency
political agency in art
post-histoire
present
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PVC Film
Romanian Revolution
social identity
softlaunch
Submedial Space
Tacita Dean
temporal methodologies
time
Time Slab
Tv Melodrama
Tv Station
Uncle Boonmee
video
visual art
visual culture theory
Yael Bartana
Young Men
Zarina Bhimji

Product details

  • ISBN 9780367763251
  • Weight: 658g
  • Dimensions: 174 x 246mm
  • Publication Date: 07 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book examines contemporary artistic practices since 1990 that engage with, depict, and conceptualize history.

Examining artworks by Kader Attia, Yael Bartana, Zarina Bhimji, Michael Blum, Matthew Buckingham, Tacita Dean, Harun Farocki and Andrei Ujica, Omer Fast, Andrea Geyer, Liam Gillick and Philippe Parreno, Hiwa K, Amar Kanwar, Bouchra Khalili, Deimantas Narkevičius, Wendelien van Oldenborgh, Walid Raad, Dierk Schmidt, Erika Tan, and Apichatpong Weerasethakul, Art, History, and Anachronic Interventions since 1990 undertakes a thorough methodological reexamination of the contribution of art to history writing and to its theoretical foundations. The analytical instrument of anachrony comes to the fore as an experimental method, as will (para)fiction, counterfactual history, testimonies, ghosts and spectres of the past, utopia, and the "juridification" of history. Eva Kernbauer argues that contemporary art—developing its own conceptual approaches to temporality and to historical research—offers fruitful strategies for creating historical consciousness and perspectives for political agency.

The book will be of interest to scholars working in art history, historiography, and contemporary art.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial 4.0 license.

Eva Kernbauer is Chair of Art History at the University of Applied Arts, Vienna.

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