Art in the North of England, 1979-2008
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A01=Gabriel N. Gee
A01=GabrielN. Gee
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art galleries
art responses to economic change
artistic identity
artistic practice
Author_Gabriel N. Gee
Author_GabrielN. Gee
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Britain
British art
British contemporary art
Category1=Non-Fiction
Category=ABA
Category=ACXJ
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Category=HBJD1
Category=HBLW3
Category=NHD
contemporary art
COP=United Kingdom
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England
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eq_history
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grassroots creative movements
industrial change
industrial heritage transformation
industry
Language_English
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post-industrial society
Price_€20 to €50
PS=Active
regional art practices
softlaunch
twentieth century
United Kingdom
urban cultural regeneration
urban development
urban reconstruction
urban studies
Product details
- ISBN 9780367470470
- Weight: 1040g
- Dimensions: 156 x 234mm
- Publication Date: 26 Feb 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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Based on rare archival material and numerous interviews with practitioners, Art in the North of England 1979-2008 analyses the relation between political and economic changes stemming from the 1980s and artistic developments in the principal cities of the North of England in the late 20th century. Looking in particular at the art scenes of Liverpool, Manchester, Leeds, Sheffield and Newcastle, Gabriel Gee unveils a set of powerful aesthetic reactions to industrial change and urban reconstruction during this period on the part of artists including John Davies, Pete Clarke, the Amber collective, Richard Wilson, Karen Watson, Nick Crowe & Ian Rawlinson, John Kippin, and the contribution of organisations such as Projects UK/Locus +, East Street Arts, the Henry Moore Sculpture Trust and the Bluecoat Gallery in Liverpool. While the geographical focus of this study is highly specific, a key concern throughout is the relationship between regional, national and international artistic practices and identities. Of interest to all scholars and students concerned with the developments of British art in the second half of the 20th century, the study is also of direct pertinence to observers of global narratives, which are here described and analysed through the concept of trans-industriality.
Gabriel N. Gee is Assistant Professor of Art History, Franklin University, Switzerland.
