Art-Journal and Fine Art Publishing in Victorian England, 1850–1880

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A01=Katherine Haskins
Advocacy Journalism
Art Periodical
art periodicals research
Author_Katherine Haskins
British art history
carter
Category=AGA
Cultural Sense Making
Dido Building Carthage
edwin
Edwin Landseer
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fine Art Print
Fine Art Publishing
Gift Book
graves
hall
henry
Henry Graves
Illustrated London News
john
John Landseer
landseer
Landseer's Paintings
Landseer’s Paintings
Line Engraving
middle-class domestic aesthetics
nineteenth-century printmaking
print
Print Series
RA
Ralph Wornum
Reproductive Print
Royal Academy
Royal Pictures
samuel
sir
Sir Edwin Landseer
Steel Engraving
steel engraving techniques
Turner Gallery
Vernon Collection
Victorian Art
Victorian England
Victorian illustrated publishing practices
Victorian visual culture

Product details

  • ISBN 9781409418108
  • Weight: 635g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Apr 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.

Katherine Haskins is a writer and editor for Corporate and Foundation Relations in Yale University's Office of Development. She holds a Ph.D. in art history from the University of Chicago.

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