Art of Greek Comedy

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A01=Katherine Lever
allied arts
Anapaestic Tetrameter
ancient theatre studies
archaic greek comedy
Aristophanes
Attic Playwrights
Author_Katherine Lever
Birth Tokens
Category=DSBB
Category=NHTB
City Dionysia
classical drama analysis
classical literature
Comic Poets
contemporary life
Dionysiac Festival
Dionysiac Worship
Dionysian ritual origins
Dionysos Eleuthereus
Doric
Doric Dialect
Drawn Back
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eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Gelon
Greek Comedy
Greek comic playwrights critical study
Hireling
history of comedy
Iambic Senarii
Megara Hyblaea
Menander
Middle Comedy
Middle Comedy transition
Mythological Burlesques
New Comedy
New Comedy scholarship
Nicias
Old Comedy
Old Comedy evolution
poetry
Prometheus
Rural Dionysia
Tragic Flaw
Tragic Poet
Trochaic Tetrameter
Young Man

Product details

  • ISBN 9781032225784
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 27 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Originally published in 1956, this is a critical analysis of the comedies of Aristophanes and Menander studied in the context of the history of comedy, of the allied arts, and of contemporary life.

Aristophanes and Menander are deservedly the most famous writers of Greek comedy. The extant comedies of Aristophanes are notable for wit, comical action, beautiful poetry, and the dramatization of such problems as health of mind and body, sex, money, government, law, religion, education, and drama, music and poetry. Menander portrays with delicate and sympathetic understanding a world in which the seeming evils of loss and discord eventually lead to the genuine goods of discovery and concord. The art of Aristophanes is critically examined in three chapters and that of Menander in one.

For centuries Dionysos had been worshipped in a spirit of ecstasy which manifested itself in song, dance and the wearing of masks and costumes, pantomime, farce, and satire. The processes by which these diverse elements were developed and fused into the complex literary form of Old Comedy are the subject of the first three chapters.

Aristophanes was not only pre-eminent as a writer of Old Comedy; he also participated in the transformation of Old Comedy into Middle Comedy, a curious and interesting dramatic form which is fully treated in the seventh chapter. In the last chapter the emergence of New Comedy is traced and the art of Menander criticized. The book ends with a brief indication of the various forms in which the spirit of Greek comedy had survived to the present day.

Katherine Lever

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