Art of Mary Linwood

Regular price €36.50
A01=Heidi A. Strobel
Author_Heidi A. Strobel
Category=AFW
Category=AGB
Category=AKX
Classical Art
Classical Period
Embroidery
Entrepreneurship
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
Georgian Art
Georgian Britain
Mary Linwood
Material Culture
Matthew Boulton
Modern Art
Modern Period
Queen Charlotte
Romantic Art
Romantic Period
Texiltes
Women Art Collectors

Product details

  • ISBN 9781350428126
  • Weight: 400g
  • Dimensions: 152 x 232mm
  • Publication Date: 26 Jun 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work.

When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today’s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists.

Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery’s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion.

This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood’s extant and destroyed works. By examining Linwood’s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.

Heidi A. Strobel is Associate Professor of Art History and Curator of the Peters-Margedant House, University of Evansville, USA.