Art of Retreat

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A Literary Wife
A01=Laurel V. Hankins
aesthetic possibilities
aesthetic retreat
American Romanticism
Amy Dru Stanley
Author_Laurel V. Hankins
autonomous private life
Category=DS
Catharine Maria Sedgwick
Cecil Dreeme
Charles Brockden Brown
Christopher Castiglia
Christopher Looby
Cindy Weinstein
consensual citizenship
diverse authors
Domestic
Domestic fiction
Domestic ideology
Domestic labor
Domestic retreat
domestic sphere
Domesticity
Early American Literature
Early American novel
Early American periodical
early national periodicals
early United States fiction
eighteenth century
Elizabeth Maddock Dillon
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
gender binary
Gender roles
gendered associations
Gendered spaces
Harriet E. Wilson
Hope Leslie
Household
ideological capitulation
James Kirke Paulding
Karen Weyler
liberal narrative
literary culture
literary public sphere
material conditions
Michael Warner
Nancy F. Cott
nineteenth century
Nineteenth Century American Literature
novels
political affiliation
political fictions
private sphere
privileged escapism
Rufus Wilmot Griswold
Salmagundi
Shirley Samuels
sketches
sociable intimacy
space of labor
space of retreat
The Art of Retreat
The Female Poets of America
Theodore Winthrop
transcendent private life
Virginia Jackson
Washington Irving
William Irving
Woldwinite
Work from home

Product details

  • ISBN 9781684485628
  • Weight: 254g
  • Dimensions: 156 x 235mm
  • Publication Date: 31 May 2025
  • Publisher: Bucknell University Press,U.S.
  • Publication City/Country: US
  • Product Form: Paperback
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The political and cultural fantasy of home as a retreat from the pressures of the world first emerged in the U.S. alongside two major nineteenth-century literary movements: Romanticism and domestic fiction. Upending accepted gendered narratives from this period, The Art of Retreat posits that these movements originated from a domestic culture already in transition, in which home was frequently a more complicated site of self-interested pleasure, coerced labor, creole social reproduction, homosocial intimacy, bachelor whimsy, petty tyranny, racial abuse, and transgender capacity. The early national periodicals, sketches, and novels examined here lend themselves to this interpretation. Hankins argues that the literary tradition emerging from these decades-one that aligned creative genius with domestic retreat-reminds us that a politics that appeals to private feeling must reckon with new interpretations of labor, kinship, and reform in exchange for the promise of consensual citizenship.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
LAUREL V. HANKINS is an associate professor in the Department of English and Communication at the University of Massachusetts Dartmouth, where she teaches courses on literary theory and early and nineteenth-century American literature. Her recent work can be found in journals such as Commonplace: The Journal of Early American Life and Nineteenth-Century Literature and in the edited collection The Part and the Whole in Early American Literature, Print Culture, and Art (Bucknell University Press).

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