Art of the Plasterer

Regular price €179.80
A01=George Bankart
acanthus
architectural conservation
arts and crafts architecture
Author_George Bankart
belton
Category=AFT
Category=AMC
ceiling
ceilings
decorative mouldings
drawing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gibbons
grinling
historic plasterwork
house
leafage
room
stucco techniques
traditional plaster restoration methods
wattle and daub

Product details

  • ISBN 9781873394519
  • Weight: 560g
  • Dimensions: 210 x 297mm
  • Publication Date: 30 Jan 2002
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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George Bankart first wrote The Art of the Plasterer in 1908. It was then re-issued, with amendments, a few years later. Now available from Donhead as a facsimile edition, this impressive, well illustrated volume offers an artistic interpretation of the way plaster was used in response to stylistic changes. Bankart was an architect inspired by the Arts & Crafts movement who cared passionately about the craft of plastering and sought to complement Millar's earlier craftsman's book by producing a volume which traced the history and art of plastering throughout the United Kingdom. It explores in detail how plaster materials and methods were developed and used, giving a fascinating insight into some of the unusual substances added to plaster. For instance, he tells us that ancient stuccos sometimes contained fig juice, curdled milk, blood or beer to make them harder. The book also contains an account of wattle and dab as well as parge-work, using practical illustrated examples to give an excellent description and record of the subject. With over 400 illustrations, comprising black and white photographs and drawings of ceilings and the profiles of mouldings, this volume will be of value to craftsmen engaged in plasterwork, conservation professionals and all architects and architectural historians with an interest in this field.

George Bankart was an architect inspired by the Arts and Craft movement, who believed that there should be no division between architects and craftsmen. Rather like Ernest Gimson, who became skilled in a number of crafts, he learned how to plaster and became particularly skilled in handworked decorative plaster.