Art Patronage and Conflicting Memories in Early Modern Iberia

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A01=Maria Teresa Chicote Pompanin
Age Group_Uncategorized
Age Group_Uncategorized
architecture
aristocratic cultural conflict analysis
aristocrats
art
art history
Author_Maria Teresa Chicote Pompanin
automatic-update
Castile
Castilian War of Succession
Category1=Non-Fiction
Category=AC
Category=AGA
Category=HBJD
Category=NHD
COP=United Kingdom
cultural power dynamics
culture
Delivery_Delivery within 10-20 working days
Diego Lopez Pacheco
early modern
early modern Spain
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
historical memory studies
history
Iberian Peninsula
Inquisition influence
Juan Pacheco
Language_English
literary
literature
medieval
memory
military
PA=Available
patronage
politics
Portugal
Price_€100 and above
propaganda
PS=Active
religion
religious patronage
Renaissance
softlaunch
Spain
Spanish nobility

Product details

  • ISBN 9781032406671
  • Weight: 620g
  • Dimensions: 174 x 246mm
  • Publication Date: 20 Dec 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

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This volume investigates the mechanisms (artworks, treatises, and other forms of cultural patronage) that the Marquises of Villena and their opponents used to operate in the cultural battlefield of the time with the aim of understanding how their conflicting historical memories were constructed and manipulated.

Concentrating on the late fifteenth and early sixteenth centuries, the book examines these two aristocrats and demonstrates that political tensions led not only to military conflicts during this period but also to conflicts fought on cultural grounds, through the promotion of artistic, religious, and literary programmes. Maria Teresa Chicote Pompanin investigates why the Marquises of Villena lost in both the military and cultural battlefields and explains how the negative historical memories forged by their opponents in the late fifteenth century managed to become the official historical truth that has remained unchallenged to this day.

The book will be of interest to scholars working in art history, cultural history, medieval studies, Renaissance studies, Iberian studies, literary studies, and patronage studies.

Maria Teresa Chicote Pompanin is an Assistant Professor at the Art History Department of the Universidad Complutense de Madrid (Spain).