Art, Patronage, and Nepotism in Early Modern Rome

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A01=Karen J. Lloyd
Antonio Barberini
art history
Author_Karen J. Lloyd
Baroque
Baroque patronage networks
Bernini
Bernini's Bust
Bernini’s Bust
Cardinal Antonio Barberini
Cardinal Francesco Barberini
Cardinal Ludovisi
Cardinal Nephew
cardinal nephew art commissions
Carlo Maratti
Category=AB
Category=AGA
Category=JNU
Catholic church
Catholic Church politics
church
Clement X
Cosimo III
De Cotte
ecclesiastical power structures
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Flavio Chigi
Francesco Barberini
Gian Lorenzo Bernini
Ground Floor Apartment
Guido Reni
Italy
Ludovico Ludovisi
Maffeo Barberini
Modern Rome
nephews
Niccolo Simonelli
officials
Otto III
papal court culture
Papal Nephews
patrons
Paul III
Paul V
Paul V Borghese
Pauline Chapel
politics
Pope Alexander Iii
Pope Paul III
popes
power
Quattro Fontane
religion
Sala Dei Cento Giorni
seventeenth century Italy
the Pope
Triumph of Clemency
Urban VIII
Urban VIII Barberini
Vatican Palace
visual propaganda
Young Man

Product details

  • ISBN 9781032119670
  • Weight: 560g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome – those nephews who were raised to the cardinalate as princes of the Church – used the arts to cultivate more than splendid social status.

Through politically savvy frescos and emotionally evocative displays of paintings, sculptures, and curiosities, cardinal nephews aimed to define nepotism as good Catholic rule. Their commissions took advantage of their unique position close to the pope, embedding the defense of their role into the physical fabric of authority, from the storied vaults of the Vatican Palace to the sensuous garden villas that fused business and pleasure in the Eternal City. This book uncovers how cardinal nephews crafted a seductively potent dialogue on the nature of power, fuelling the development of innovative visual forms that championed themselves as the indispensable heart of papal politics.

The book will be of interest to scholars working in art history, early modern studies, religious history, and political history.

Karen J. Lloyd is Assistant Professor in the Department of Art at Stony Brook University.

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